The Painting Congress of Isfahan School Was Followed in Isfahan

In the presence of guests, masters, scholars and the Secretary of the painting congress of Isfahan school yesterday's evening, a session went underway at Isfahan University of Arts.

 

Reported by the Public Relations of the Academy of Arts, at the beginning of the congress, Amir-Hussein Zekrgoo presented an article titled, "Introducing the Manuscript of the Illustrated Shahnameh in Kuala Lumpur." "The manuscript collection Department of ASCS in Kuala Lumpur, Malaysia holds a precious Shahnameh dating back to 1021 A.H. This elegant volume has been masterfully created by the calligrapher, Ibn Hassan Al-Kermani. This manuscript is in a good condition, the pictures maintained their primary quality, although the faces of some characters were collored in 18th and 19th Century A.D. and some pages have been amended later.

Next, Asqar Javani remarked on the paintings of a well-known manuscript, Akhlaq-e Mohseni (Mohseni Ethics) or Javaher-al Asrar: "Written by kamal-e Din Molla Hussein Kashefi Akhlaq-e Mohseni in the court of Sultan Husein Bayaqra, the book contains 40 chapters and resembles Qazali's Monjiat-e Ehyay-el Olum the book mostly discusses on individual and family ethics and presents Aristotle's ethics in an Islamic manner relished with mysticism," he said.

 

Following the session, Ali Asqar Mirza'ei presented his essay, "Introducing the manuscript of Kabul's Shahnameh: "The seals and attributed writings in addition to existing paintings in the library of the King describe an illustrated version of Shahnameh belonging to Isfahan school which is preserved in the national archive of Kabul, the capital of Afghanistan .This version contains more than a hundred paintings. The painter is Muhammad Shafi'e Ibn Muhammad Masih which has painted them in 115-1119 A.H. and the calligrapher is Atta-Allah Hejazi which has written it with Nasta'aliq lettering in 1044. It's the first time that the involved artists whether painter or calligrapher have been introduced.

It must be pointed out that at the end of the session Firuza Abdullave the scholar from Turkey presented her article titled National Library of Russia and Isfahan school": "The terms like Isfahan, Shiraz or Herat school or even the style of painting can be ambiguous. Sometimes it's even more difficult to attribute the painting to a definite artist," she said.

 

One of the best examples of such puzzles is the manuscript of Shahnameh with calligraphy by Shams-al Din Sheikh Muhammad in 1663-1669 A.D. and has been illustrated in 1693 -1698 A.D. The session came to an end with the questions of attendants and answers by experts.

 

 

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