Isfahan School Conference Is the Outcome of Two Permanent Years of Efforts, Says Namvar Motlaq

The secretary of the Academy of Arts regarded the holding of Isfahan School Conference as the result of two successive years' efforts made by various institutes.

At the opening ceremony of Isfahan School Conference held in the morning (9 A.M.) at Aseman Cultural-Artistic Complex of the Academy of Arts, Dr. Bahman Namvar Motlaq accounted for the project of Isfahan School Conference: "According to its constitution, the Academy of Arts in parallel with regular tasks such as holding various exhibitions is also involved in research projects and organizing conferences. These activities are increasingly underway each year. After the congresses of Herat and Tabriz painting schools, we considered Isfahan School Conference and started programming."

He added that the selection of Isfahan as the capital of Islamic world by ISESCO was another motive for paying attention to hold such conference and observe different branches of Isfahan School in the framework of a conference: "ISESCO appointed Isfahan as the capital of Islamic world and this point encouraged us to consider different branches of Isfahan School as a conference."

Regarding the Safavid art as one of the characteristics of that era, Namvar Motlaq stated: "A main feature of Safavid era is a specific art which comprises of Tabriz school as the first section and Isfahan School as the second one. During two years, eight departments with eight secretaries were the center of scholarly decisions for the conference."

The secretary of Isfahan School Conference pointed out some tasks accomplished during this time. "The call for the conference, appointment and assignment of experts for writing and translating the essays and books, the arrangement of pre-congresses, the publishing of more than thirty expert books, the holding of five exhibitions in Golestan Palace, Moqadam Museum, Malek and Reza Abbasi foundations for introducing the artworks of safavid era and co-operations with more than 50 scientific and art institutes throughout the world are among the tasks fulfilled by the executive members of the conference.

Art Is not Detached from Mysticism

Following the session, Zia-al Din Imami, the first graduate of Isfahan Academy of Fine Arts in miniature and inheritor of Isfahan School indicated that Isfahan has always been a center for Iranian arts. He pointed out that it's impossible to percept art without realizing God's nature: "Without realizing God's nature art can't be objectified. Although there are differences between scientists on the ways of knowing God, some of them believe that it's impossible to know God and some believe that through studying divine books, the suspended planets and stars with no pillar, creatures and finally human being, we can achieve such knowledge," he remarked.

Commenting on the characteristics of Isfahan School, Imami added: "Isfahan School begins with Safavid era, when Tabriz and Shiraz schools had been established and during the kingdom of Shah Abbas, reza Abbasi embarked on drawing the miniatures of Safavids palaces. Meanwhile a number of great scholars like Mir- Fendereski, Moqadas Ardabili, Sheikh Baha'ei … were living."

The other programs of opening ceremony included: "Pardeh-Khani directed by Mahmoud Azizi, the duet of maestro Kiani and maestro tala'ei and finally Manqabat-Khani wrapped up the programs.

Isfahan School Conference is underway for 5 days beginning on December 10 in Tehran and Isfahan.

 

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