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Conference
of
Isfahan
music,
during
Safavid
Period
from
1000 to
1135
Lunar
Calendar
(A. H.)
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In
eleventh
and
twelfth
century,
Isfahan
selected
as the
Capital
of
Safavid
Government
and as
the
kings of
this
dynasty
were
patrons
of arts
who were
talented
in this
field
and were
supporting
artists,
this
city
converted
to one
of the
greatest
centres
of
culture
and art
in Iran.
Especially
in
music,
that
period
was the
time of
appearance
of
distinguished
musicians
in
Isfahan,
and
stabilizaing
the
school
of music
during
Safavid
Period.
In fact
they
completed
in some
way the
style of
Timurids
traditional
school
of
music,
that was
disseminated
by some
great
theoricians,
including
Abdolghader
Maraghehee.
At the
beginning
of
eleventh
century,
Mir
Sadraddin
Mohammad
Ghazvini,
one of
the
greatest
calligraphers
and
theoritcians
in the
field of
music,
complied
a thesis
in music
which is
the most
important
Iranian
musicological
works
after
the
works of
the
school
of
Montazamiah.
Subsequently,
other
theoritcians,
including
Baghia
Naeeni,
Agha
Momen
Mossannef,
and Amir
khan
Gorji,
compiled
valuable
and
attractive
works in
the
field of
music.
Compiled
music
works in
this
period,
Confirms
that
there
was
closed
relations
between
Safavid
and
Ottoman
Courts.
Many
musical
modes
and
forms
that was
performed
in Iran,
was
played
in
Ottoman
Court,
too.
Generally,
We can
see the
common
"re'pertoire"
among
those
two
cultural
centres
at that
period.
The
basis of
the
school
of music
in
Isfahan,
have
registered
among
the
other
works of
music at
that
period,
both
theoretically
and
scientifically,
and
reviewing
and
analyzing
these
works
may led
to show
a
complete
aspect
of
Isfahan
musical
culture
in
eleventh
and
twelfth
centuries.
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Head
of the
Board |
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- Dr.
Fariba
Afkari.
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| Members
of
Scientific
Board |
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-
Master Sayyed Abdollah Anvar
-
Master Ali Bayani
-
Dr. Amir Hossain Poor Javadi
-
Dr. AbdolMajid Kiani
-
Master Iraj Naimaiee.
-
Dr. Sasan Fatemi
- Dr. Dariush Talaei
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| Secretary
of the
Board |
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Venus Vahdat
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| Prepositions
of the
Conference
of
Isfahan
Music |
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A
)Historical
researches
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Recognition
of
Isfahan
music
characteristics;
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Recognition
of
mentors
and
great
personalities
in
music,
in
eleventh
and
twelfth
centuries;
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The
influence
of
Isfahan
music in
Safavid
Period,
on other
musicians
and
schools.
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B)
Reviewing
and
analyzing
the
works
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Analyzing
the
works of
Isfahan
music;
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Reviewing
the
scriptology
of in
music
thesis.
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C)
Comparative
studies
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Relations
and
manifestation
of music
in other
arts,
including
Miniature
Painting,
literatures,
mysticism,
and
calligraphy;
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Comparing
music in
the
School
of
Isfahan,
with
other
contemporary
schools
in Asia
Minor,
India,
Central
Asia,
and
other
territories
and
their
counter
–
influence;
-
The
relation
between
Isfahan
music in
Safavid
Period
with new
melodic
orders.
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| Article
Criteria |
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Observing
research
standards
in
article
(gist,
conclusion,
refferences,
resources
list,
pictures)
is
mandatory.
-
Article
should
be in
typescript
Printed on
A4 paper
&
recorded
On
floppy
disk, by
Word
2000
Software.
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Pictured
articles
should
be
presented
together
with
pictures
or
CD’s
(good
qulity).
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The
secretariat
of
Congress
is
authorized
to
select
and edit
the
received
articles.
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Accepted
articles
are used
to
represent or
merely
printing.
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Received
articles
will not
be
returned.
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Accepted
articles
should
not be
printed
in any
other
Publication
before
printing
in the
collection
of
articles
of
Congress.
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The
Iranian Academy
of the Arts
will
invite
the
scholars
whose
articles
has
accepted
for
speech,
and will
pay
their
travel
expenses,
including
round
trip
ticket
and
accomodation.
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| Formal
languages
in
congress |
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Formal
languages
in
Congress
are:
Persian,
English,
Arabic and
French.
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| Timetable
to send
the
articles |
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Moratorium
to send
articles
is until
7 of
Nov.
2006 |
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| Time
and
place |
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Congress
will be
held on
Dec.10th
until
14th
2006 in
Tehran
and
Isfahan |
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| Address |
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Iran,
Tehran,
South
Felestin
Ave.,
Loghmano
ddoleh
Adham
St.
Boozarjomehr
Blindalley,
No. 23.
Telephone
: (21)
66 95 16
50-4
Fax:
(21) 66
95 16 59
Email:
isfahan@honar.ac.ir |
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